I think more context is important to appreciate Gabor Szabo. He came on the jazz scene in the early 1960s by joining the Chico Hamilton Quintet. At the time, that was a highly visible gig. His predecessor was Jim Hall, a legend in his own time in jazz circles. Next, as the Bay Area jazz scene heated up in the mid 60s, Szabo landed a contract with Impulse Records -- the legendary label of John Coltrane, Archie Shepp, Gil Evans, and more. His 1966 album included “Gypsy Queen,” which was famously covered by super fan Carlos Santana in 1970, which in Santana’s inventive version was paired with Fleetwood Mac’s “Black Magic Woman.” In the early 70s, Szabo’s version of “Breezin” influenced George Benson to record his own a few years later. Benson’s version became a smash crossover hit.
In sum, Gabor Szabo was a major influence on a generation of jazz, rock, and soul guitarists.
I think more context is important to appreciate Gabor Szabo. He came on the jazz scene in the early 1960s by joining the Chico Hamilton Quintet. At the time, that was a highly visible gig. His predecessor was Jim Hall, a legend in his own time in jazz circles. Next, as the Bay Area jazz scene heated up in the mid 60s, Szabo landed a contract with Impulse Records -- the legendary label of John Coltrane, Archie Shepp, Gil Evans, and more. His 1966 album included “Gypsy Queen,” which was famously covered by super fan Carlos Santana in 1970, which in Santana’s inventive version was paired with Fleetwood Mac’s “Black Magic Woman.” In the early 70s, Szabo’s version of “Breezin” influenced George Benson to record his own a few years later. Benson’s version became a smash crossover hit.
In sum, Gabor Szabo was a major influence on a generation of jazz, rock, and soul guitarists.
Thank you Miguel!
Lifting me high this morning!
Great suggestion.